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Gemma_BirssGemma Birss’ The Gift was Highly Commended in the 2009 Frances Lincoln Diverse Voices children’s book award.

Gemma is a fabulously warm and energetic writer who has lived in Iran, Kenya, Zimbabwe, South Africa, Japan, France, India and England. She says she has “millions of stories from different countries and cultures in my head, all jostling with each other to be told.”

Here we interview Gemma about The Gift, her writing, and the magic of good cup of Tetleys.

The Gift tells the tale of Chipo, who wakes up one day in a strange place. She has no memories and has lost the ability to speak. The story follows Chipo through the African bush on an adventure involving witch doctors, Tokoloshes, crocodiles, snakes, magic and treachery. With an extraordinary ability to read the sky, Chipo’s adventures finally lead her to discover her true identity and the harrowing truth of her past.

Excerpt…boomslang

‘I want to show you something,’ Tendai said, jumping up.

I followed her towards the lucky bean tree.

‘Do you think you can remember to climb?’ she asked.

I nodded.

Tendai climbed quickly. Her feet knew all the knots and ledges. I followed her carefully, putting my feet where her feet had been and using the same hand grips she used. She stopped at the top of the trunk where the branches split out in different directions. There was a hollow in the centre of these branches, which was big enough for us both to sit in. I clambered up after her.

An excited grin spread across Tendai’s face as she reached her hand into a small hole in one of the branches. I thought nervously about the boomslang that had fallen from this same tree. Pungwe’s warning rang through my head; I didn’t have my magic anymore. I no longer knew how to sing to snakes and I couldn’t protect either of us as I used to. I hoped that Tendai realized this too. She didn’t pull out a boomslang, though. She pulled out a handful of necklaces. My mouth fell open with surprise. There were necklaces made from lucky beans, necklaces made from bird feathers, necklaces made from small bones. I reached out to take the one that caught my eye. It was made from thousands of yellow, jagged teeth. My fingers closed around the sharp edges.

‘That one is made from crocodile’s teeth. It is to protect you from the crocodiles in this river. It is a Tokoloshe necklace. Pungwe gave it to you.’

What do you usually write about and who do you write for?
I usually tinker away at a little diary, which means I write mainly for me. In my diary, I write about my life. I like to capture all those millions of fleeting moments. It’s like a photo album but with words. I’m always pottering about in my diary, and I don’t ever leave home without it. I write whatever pops into my head so it’s a kaleidoscope of my thoughts. I suppose I use some of these ideas and expressions in my books, so in that way, I’m writing for everyone.

Why do you write?
I have to confess; when I’m writing a book, I don’t actually write it. The book writes itself; the words spill out onto the page as they please and I don’t have much say in the matter. When I wrote The Gift, it was incredibly exciting because I didn’t know how the story was going to unfold. Chipo was having all these brilliant adventures and I had to keep writing to see what would happen next! The main reason I write, though, is that when I write, I am superlatively happy. Happiness for me is a cup of Tetleys, a notebook and a black pen.

Where and when do you write?
I write everywhere, but I spend a lot of time writing on trains and buses. Long journeys are the best for writing – watching the world unravel past your window, you have all the time in the world for ideas to unfold.

What was your favourite book as a child?Kpotheleopard
Kpo the Leopard by Rene Guillot. It was the first book that I chose for mum to buy me.

Who is your favourite children’s author either writing today or from the past?

I still have a deliciously soft spot for  Quentin Blake’s work, particularly his Lester goes to the Seaside. My favourite character from this book is Otto. Lester and Otto are at the beach and Otto picks up a stick to write his name in the sand. Then he tries to write his name backwards. It comes out as Otto. So he tries again, Otto, and again, Otto, and he gets very down in the mouth because, unlike Lester, his name is the same both forwards and backwards. Finally, an ingenious idea dawns; he grabs his stick and writes ‘Toot’! And then he dances about with glee at his cleverness. I also love Mini Grey and Oliver Jeffrey.

Some of Gemma's amazing artwork...

Some of Gemma's super-cute original artwork...

What are your plans for the future and for The Gift?
Whilst getting my story published, I’m also illustrating my picture books and training to be a Kundalini yoga teacher.

I’m working on a grown-up book at the moment too, which is a bit of a ’spiritual journey’ kind of book… it’s taking its time to work its way out and is a challenging but really worthwhile process.

Who knows what the future holds – but if my past is anything to go by, it’s going to be an interesting ride!

THANKS GEMMA!!

Good luck with your writing and illustrating!!

Jane Donald is senior designer for Frances Lincoln Children’s Books and the visionary behind the awesome Takeshita Demons cover.

What makes a cover work? How are covers born? What do you need to recognise a great cover: do you need to be an artist? a sales professional? a book lover?

We caught up with Jane to discover more about the book covers she loves and creates every day…

1.    How did you get in to your role?

I studied Graphic Design at university and always favoured illustration projects. Any self-initiated brief was always to do with creating children’s books, so I knew I’d enjoy working in this industry if I could get my foot through the door.

When I left university I did various stints of work experience, one being at Egmont publishers and then heard about the junior role here at Frances Lincoln. I applied, got the job and 5 years later I’m still here!

One of Jane's Top 3 favourite book covers: Mother by Juliet Heslewood

Fave 3 Frances Lincoln covers: Mother by Juliet Heslewood

2.    What does an average day entail? What are you working on today?

My average day usually entails working on a couple of different projects.

Today I have dropped in some new artwork for a picture book, added some finishing touches to the interior spreads of another title and I’ll probably have a look at some fiction covers which are overdue this afternoon!

3.    How do you decide on a cover?
We’ll read the manuscript first and I’ll either start mocking up ideas or find an illustrator who we feel will work well with the text.

Then it’s a case of getting ideas and roughs together to show our Sales team and author for feedback. At this stage the roughs are often sent out to both customers and target audience for comments and opinions too.

Then we’ll reconvene with all the conflicting opinions(!) and make a decision as to which we think will work the best overall.

4.    What makes a great cover?

The cover for Miss Fox by Simon Puttock

Fave 3 Frances Lincoln covers: Miss Fox by Simon Puttock

Something which is simple and attention-grabbing, but gives you a good sense of what the book is about.

5.    What are your 3 favourite covers from Frances Lincoln?
Apart from Takeshita Demons of course, I would have to say…

  • Mother (adult title) by Juliet Heslewood
  • Under the Weather (children’s fiction) by Tony Bradman
  • Miss Fox (children’s picture book) by Simon Puttock illustrated by Holly Swain

Jane's fave cover of all time: The End of Mr Y by Scarlett Thomas

Jane's fave cover of all time: The End of Mr Y by Scarlett Thomas

6.    What’s your favourite cover of all time?
Now that’s a really tricky question!!!

I really love the covers which Jon Gray designs and all the Gothic Horrors and clothbound series’ by Coralie Bickford-Smith. They’re all really beautiful and a real inspiration.

If I had to choose one, I’d probably go for Jon Gray’s design for The End of Mr Y by Scarlett Thomas. Not only is the illustration and typography great, but I love the whole production of it. It has black edges to the pages, gold foil and special lamination (without being OTT) and just works beautifully as an object as well as being a great read.

I’m sure I’ll have a new favourite cover next week when I browse the shelves!

7.    How did you get inspiration for the Takeshita Demons cover?

Fave 3 Frances Lincoln covers: Under the Weather by Tony Bradman

Fave 3 Frances Lincoln covers: Under the Weather by Tony Bradman

I think instinctively we felt it needed a manga-style illustrator to get across the Japanese feel. I looked through a lot of illustrator’s portfolios and various manga books to get a feel of what we could do.

I knew of Siku from seeing his Manga Bible and Judge Dread work and thought he’d work perfectly. We let him do all the hard work by giving him a fairly open brief with only a few specifics and he didn’t disappoint. As you saw, he came up with various rough ideas which were all great.

8.    Do you work with new illustrators? How should they get in contact?
Yes, we love working with new illustrators.

The best thing to do is to send samples into us by email or post. We can’t necessarily reply to everyone, but we do keep samples on file and often look through to see if anyone would fit a text we may have. Websites are great too, I love to browse through people’s work.

I love fabulous picture books: ones that challenge readers, inspire them to feel new things, make them laugh, and make their parents laugh too.

There are some fabulous picture books on my shelf: check out Diary of a Wombat (by Jackie French) and Wilfrid Gordon McDonald Partridge (by Mem Fox) for two Australian classics. The first is simple and laugh-out-loud funny; the second is poignant and beautiful and always makes me smile. Yay. I tingle just thinking about them.

So what’s your favourite use of a word in a children’s picture book?

MotherwasapirateMine is “philosopher”, from The Man Whose Mother Was A Pirate, by Kiwi writer Margaret Mahy. Mahy studied philosophy at university before becoming a librarian and author.

As a kid I remember LOVING this tiny little man in his brown accountant’s suit, and being swept away with his adventures as he abandoned his office life to journey to the wild sea with his pirate mother. Wonderful! (And very similar to what we are doing with Fergus right now!)

Our teacher read The Man Whose Mother Was A Pirate to our class: the highlight for me was meeting the philosopher: he sat, watching the world go by, under a tree. I loved being able to say such a large word. I loved knowing what it meant. And when we had to make papier mache puppets of a character in the book, I chose the philosopher (probably so I could say the word, over and over again). This book is tattooed in my brain: it sparked so many different feelings and emotions.

If you ever get your hands on a copy, be careful: you might follow the little man’s example (like we did!) and toss away your office job to head for the ocean. Whee!

So what about you?? What’s your favourite use of a word in a children’s picture book? Is it something that sticks in your head from childhood? Or something that’s grabbed you from more recent shelves…?

Fergus picks up writing tips from Dad

Fergus picks up writing tips from Dad

I love winning: ever since I was a tiny mite doing colouring-in contests, I’ve been a sucker for competitions, especially skills-based comps.

I’ve won a silver horseshoe (colouring-in), a tube of propolis toothpaste (colouring-in), and a stuffed kiwi (colouring-in). (Perhaps I should’ve turned professional?)

In the last couple of days I’ve been tweeting links to some ace writing competitions, for children and adults.

But tweets are easily missable, so here they are, all in a juicy list:

Young writers competitions

  • Finish what your favourite author started in the Usbourne writing competition and win a trip to London, free books, an author event, and free magazine subscriptions. Open to UK residents aged 14 or under.

Competitions for no-longer-young writers

  • Think you’re funny? Enter “The Sitcom Mission” and write a 15-minute comedy. No children, no animals. The top 16 scripts go through to a public knock-out final.

ENTER! ENTER! ENTER!

My theory is an old one: you’ve got to be in to win. Just by giving it a shot and sending in your writing, you get a chance to do and win all sorts of cool stuff.

I’ve had this philosophy a long time; it helped me score my first pay cheque as a writer (I think it was about 12 New Zealand dollars and I was about eight years old).

I wrote my first book, One Weekend with Killiecrankie, just so I could enter a competition. I didn’t even get shortlisted. But I didn’t give up.

Instead, I did some rewrites, then entered One Weekend into a Young and Emerging Writer competition.

Bingo! I won a week at Varuna House in New South Wales’ beautiful Blue Mountains, all expenses included. After a week working with Varuna’s Creative Director Peter Bishop and five other writers from around Australia, and months more work with my Varuna alumni mentor, Julia Lawrinson, I entered One Weekend into the same competition.

This time I was shortlisted, and won! The cheque was for a lot more than twelve dollars.

So what are you waiting for? Dig out your manuscripts, twiddle your pencils, scratch your heads and create some winning writing. See you on the shortlist!

Fergus loves travel!

Fergus_on_a_trainFergus loves travel!
We went to Preston last week, a fab university town about three hours by train from London.

It’s the first time we’ve been away overnight since Fergus was born, and he LOVED it.

He was either incredibly awake (alert, looking, laughing, reaching out, trying new sounds) or incredibly asleep (he didn’t think twice about sleeping for eight hours straight in the unfamiliar cot: what a champion!).

Recurring dream, anyone?
Actually I think Fergus slept better than me: I had a recurring dream about stage_frightbeing minutes from going on stage, but not knowing my lines. I rush around trying to find a copy of the script: I know if I can just be reminded of my first line, the rest will fall into place.

But guess what? There’s not a copy anywhere and noone else is around. Gulp! (Turns out my editor has the same recurring dream…anyone else?).

This actually happened to me as a kid in New Zealand: I got up on stage, all dressed up with an Aussie swagman’s cork hat and ready to recite Dorothea MacKellar’sMy Country“, and I blanked out.

I completely forgot the first line. I just stared through the dangling corks at the sea of faces watching me and sweated, waiting for someone to prompt me. It was a long wait. They probably thought I was going for dramatic effect.

Blackpool_piratesPiratical rumbustification
We also went to Blackpool, Britain’s old-school-British answer to Las Vegas. We ate fish and chips in a pirate-themed amusement park, with bells and whistles and buzzers going off, slow-motion pirate boats crusing overhead, zombie killers, soft toy grabbers, coin pushers…the works (I obviously don’t know their technical names…and we didn’t win a giant stuffed tiger)(We did, however, have an excellent time…I’d love to stay here for a summer and write!).

This weekend we’re off to Geneva, Switzerland, to catch up with friends before heading off to Australia at the end of the month. We’re lucky Fergus is so interested in new things! Here’s hoping he copes OK with aeroplane travel…it’s not my favourite way of getting around, but perhaps he can charm the air stewards into giving us great seats :-)

Takeshita Demons exists on Amazon! Like a real book!

You can pre-order Takeshita Demons on Amazon.co.uk! Just like a real book! Argh!!

The last couple of days have been AMAZING, and for so many reasons:

1) Takeshita Demons is becoming more real!

Woo hoo! Takeshita Demons has a cover (thanks to everyone for your input: you picked a winner!) and its own ISBN! (978-1-84780-115-9, in case you were wondering)(Can I get this as a personalised bicycle plate?).

Plus it has its own webpage on Amazon UK where they say nice things about me (I’m always a sucker for that) and exciting things about Takeshita Demons (wow!).

And more incredibly, you can even pre-order Takeshita Demons! (Did you ever think it would become an actual *book*!? How surreal!)(Go on! Pre-order it, just for a laugh!).

2) Takeshita Demons is (very probably more-than-likely) going to be a trilogy!

We still haven’t put pen to contract paper yet, but Janetta and the Frances Lincoln sales team like my proposal for turning Takeshita Demons into a trilogy…. Books II and III promise to be super-exciting and will star my favourite yokai demon of all. I tried to include him in the first book but it just wasn’t right. So watch this space… I’ll be writing the sequel over the next few months… Thrilling but scary at the same time.

3) I made my first appearance as an author!

AnestofvipersOn Tuesday I was lucky enough to join a room full of librarians and some great speakers in Preston, a couple of hours north of London. It was particularly fab to meet Catherine Johnson, who lives just round the corner from me…what a coincidence! (Catherine had the room mesmerised with a reading from her latest book, A Nest of Vipers…check out her stuff!)

The day was organised by Jake Hope of the Youth Libraries Group to stimulate discussion of modern multicultural childrens writing, and to cast votes for the CILIP Carnegie and Kate Greenaway children’s book awards…

IT WAS FABULOUS! Not only did I get to talk to book lovers about books all day long, but I also did a presentation on Japanese yokai, Takeshita Demons, my take on multicultural writing, and more.  We also did some quick training exercises: how to identify and disarm a vampire (easy), a werewolf (more difficult), and a nukekubi (needs some work). It was good fun.

Plus, because uncorrected proofs of Takeshita Demons were available, I even did a few book signings, just like a real author. Woo hoo! Thanks to all those kind souls who asked me to sign their copies…I felt like a real celebrity :-)

And for those of you who have no idea what an uncorrected proof is (like me just weeks ago):
They are draft versions of the book, where the pages are all bound and the text is laid out book-ily, with page numbers and indents and all that jazz. They’re designed to be a sneak preview of the book and as such aren’t final versions, but are pretty close. (I’m holding a Takeshita Demons uncorrected proof right now, and it feels like a real book to me!)

DO YOU WANT TO REVIEW TAKESHITA DEMONS ON YOUR BLOG OR SITE?
Contact the Frances Lincoln Books publicity team, supply chocolates, and mention you’d like a proof copy. You can get in touch with them at:

UK Publicity/Marketing
publicity@frances-lincoln.com

US Publicity/Marketing
USpublicity@frances-lincoln.com

(The chocolates are optional; I’m trying to start a new trend ;-) )

ClareRedawayToday we publish an interview with Clare Reddaway, an accomplished writer of plays and short stories who earned a Special Mention for her book, The Queen of Sheba’s feet, in the 2009 Frances Lincoln Diverse Voices book award.

The Queen of Sheba’s feet follows the adventures of Bilkis, the Queen of Sheba’s handmaiden. Bilkis is travelling with her mistress across the desert to visit King Solomon in 980 BC. She can solve a mystery as old as the bible: is the Queen the daughter of a djinn, and does she therefore have goat’s feet? But she can only discover the truth if she gets through the desert alive…

There’s an extract from Chapter 5 at the bottom of the post, but we kick off with some questions: Thanks to Clare for helping us out!

What do you usually write about and why?
I’m not sure that I have something that I usually write about. I have been inspired by so many different topics and characters: an exiled Ethiopian Emperor in wartime Bath; a Victorian boy on a canal boat; a stone-age girl who is not allowed to go on a hunt. I like to delve into times and places that I am not familiar with, and to try to find a point of connection with the people there and then. I suppose if there is a common theme, it is that I am interested by characters who are outsiders, uncomfortable in their place or in themselves. I am interested in exploring how they change and grow.

Why do you write?
I like telling stories. I always have, and I always will. If someone wants to publish them, all well and good. Otherwise it’s me and my increasingly weary guinea pig.

Where and when do you write?
I write in my study, which has a view over the hills of Bath. I can see our golden Georgian terraces with their slate roofs, and Ralph Allen’s Palladian mansion, Prior Park, which he built as an advertisement for his stone quarries (a successful ad campaign, I’d say). Sometimes, ridiculously, a steam train puffs across the valley. Most gloriously though, and so rare in England, I can see the edge of the town, and fields with cows where the countryside begins. I write here whenever I can.

What inspired you to enter the Diverse Voices Award?
I think it is such an admirable award. It is so important for children to experience other cultures through stories. Children’s authors seem to me to be happy to portray other worlds, whilst rarely portraying other countries. I hoped that this award might nudge authors – and indeed myself – to explore our world differently.

What was your favourite book as a child?
I didn’t have one favourite, but a selection: The Secret Garden, The Treasure Seekers, When Marnie was There by Joan G Robinson, the Narnia Chronicles, the Swallows and Amazons books, Mary Renault’s The King Must Die and The Bull From the Sea, The Woolpack by Cynthia Harnett.

Who is your favourite children’s author either writing today or from the past?
There are so many. As a parent I have experienced a whole sequence of books that are new, and that I missed. I like The Indian in the Cupboard series by Lynne Reid Banks. I like Rosemary Sutcliffe’s The Black Ships Before Troy and The Wanderings of Odysseus. And for the completely contemporary, I like Michael Morpurgo, Eoin Colfer, Philip Pullman, Frank Cotterell Boyce, Michelle Paver – I believe we are in a golden age of writing for children. I particularly love the theatrical adaptation of Michael Morpurgo’s War Horse, which I took my daughter to last year. I wept and wept.

What does the future hold for you and your writing?
The Queen Of Sheba’s Feet is currently with Frances Lincoln, and all my fingers are crossed that they like it enough to publish it. As for my other writing, I’ve had a number of stories, both for adults and children, published in anthologies this year. I am a member of live short fiction group Heads and Tales, and perform with them across the south west (come see our next show!). My latest project with Heads and Tales has been We’ve So Many Things in Common. I was commissioned to write a children’s trail inspired by the local history of Horfield Common in Bristol for this event, and I am hoping to use the same format elsewhere. I also write scripts. Have a listen to Laying Ghosts, an audio play at Wireless Theatre Company. My latest play, New Religion, has been selected for a reading by The Group at Theatre Royal Stratford East in October.

Extract…
“It’s a mirage.” Darih was lying on the top of the dune staring into the distance with Bilqis.

“A mirage! Don’t be ridiculous!” Bilqis looked at him in disbelief. He could see what she could see. A city, with golden spires and turquoise towers, with palaces and temples, palm fronds and cedar trees, more glorious than any she had imagined existed before. It couldn’t be a mirage. “A mirage is water. I’ve seen a mirage. We all have. That. Is. Not. A. Mirage.”

Bilqis’ voice was becoming shrill. She had tears in her eyes. “I know why you are saying this. You’re jealous. You’re jealous of my dancing and you’re jealous because the Queen has never noticed you. And now you’re jealous because I saw Jerusalem first.”

Darih shrugged. “Please yourself,” he said and he got up and started to slide back down the dune. Bilqis looked back at her beautiful, wonderful city. Was he right?

“I’m going to look,” she shouted down at him, but all he did was to hunch his shoulders and carry on down into the camp. Bilqis set off towards the city.

The way was difficult. The sand on the camp side of the dune had been soft like flour. The sand on the other side had a crisp crust that cracked under her feet, plunging her up to her knees. She felt like she was wading. It was hard work.

When she reached the base of the dune, the saffron sand stretched in front of her, rippled like water on a lake when you throw in a pebble. Bilqis looked at the towers in the distance. She imagined the praise she would get from Tamrin for her sharp eyes. The Aunts would be proud of her, even Karabil might smile. She started to run. Although she was soon a long way from the first dune, the city seemed as far away as before.

Bilqis slowed to a walk. She had a stitch in her side from running and she was hot, although it was still early. She took off her shawl and dropped it on the sand. She’d pick it up on the way back. Ahead of her she could see a ridge, higher than the dune she had climbed before. I’ll just get to the top of that ridge, she thought, and then I’ll really be able to see the city. The ridge had been the colour of ripe apricots as she had set off, but now it was the warm rich yellow of honey.

I’m rewriting the first three chapters of One Weekend with Killiecrankie to feature the hottest new thing in children’s fiction: kangaroos.

Why? A group of kangaroos is called a “mob” (zombies), they’re mostly active at night (werewolves) and they can swallow their food without chewing (vampires). And that’s not all. Roos are on the rise!

The world does not yet know it, but kangaroos are grosser than zombies, weirder than werewolves and better looking than Edward any day of the year.

Why? Here’s why:

1) Newborn kangaroos are utterly disgusting but all-powerful
A newborn kangaroo climbs into its mother’s pouch when it’s blind, hairless and the size of a jelly bean. Hello super-powers.

And they say theres no such thing as an ugly baby

And they say there's no such thing as an ugly baby

2) Kangaroos can disembowel their enemies using only their toenails
Say no more. That’s serious power.

3) Kangaroos don’t fart
A supernatural power we’d all like to have: kangaroos don’t produce methane, which means a) their whizzpoppers don’t stink and b) kangaroos don’t contribute to global warming.

4) A female kangaroo can freeze the development of a fertilized egg until she’s ready to rear another baby.
A great technique for taking over the world. At any one time, a single female kangaroo can be feeding two joeys in her pouch and have a fertilized egg waiting in the wings. Incredibly, Joey Junior will be recieving high-fat milk from nipple A, while Joey Senior gets high-carb milk from nipple B (a supernatural power I neither possess nor desire).

5) A kangaroo weighs nearly 100 kilograms, can leap a 3-metre fence and chonks along at 70 km/h.
Translated, we’re talking a roo who weighs about the same as Muhammad Ali, can jump clean over a regulation-height basketball hoop and is able to outpace a greyhound.

Book shelves, watch out! Readers, be afraid! A new genre is birthing, and though it may be just the size of a jelly bean, it’s set to grow. Roo Fiction is on the rise.

In fab news, art director Jane Donald is now working on the cover art for Takeshita Demons. She’s discussed some ideas with Siku, a renowned graphic artist who’s worked for Sega Europe, Usborne, Marvel Comics and more. He’s also worked on The Manga Bible and Judge Dredd. This guy can really draw! (Want more from Siku? You can contact him via his agent at Folio.)

The roughs we’ve had back are all ace, featuring Miku, Cait and some very spooky yokai from the book, but now for the tough bit: which one do we choose?

Takeshita_Demons_cover_roughs_SIKU

I love them all, but that doesn’t help. I guess we need to think about:

  • how they’ll look in colour,
  • how they’ll look when shrunk down on Amazon pages or in book catalogues,
  • how well they represent the book and its style and story,
  • how well they appeal to boys, to girls,
  • how well they appeal to parents and librarians (who may well be forking out the cash)
  • gut feeling
  • other stuff  (what other stuff? what else should we be thinking about?)

Which cover idea do you prefer? What do you like about it?

Ruth and I pose at Seven Stories for the Diverse Voices awards night

Ruth and I pose at Seven Stories for the Diverse Voices awards night

Hi all! Today we’re featuring an interview with Ruth Patterson, an up-and-coming childrens writer who was commended for her book, The Ever-changing Mum, in the 2009 Frances Lincoln Diverse Voices book award.

The Ever-changing Mum follows eleven-year-old Evie’s relationship with her mother, Shirley, who suffers from a multiple personality disorder. When Evie’s mum is happy, she’s Shirley, but when she’s sad and stressed out she turns into Charmaine, Priscilla or Esther. Evie’s three other mums are totally different from Shirley, and although they can sometimes be good fun, they can also be dreadfully annoying. Evie wants her mum to stay as Shirley and sets out on a mission to help her.

Excerpt…
I don’t completely understand why my mum pretends to be different women. Shirley says her doctor reckons it’s because she keeps stressing herself out. But Georgina says her mum’s always stressed out and she doesn’t change into other people. Shirley’s doctor has given her tablets to take. She calls them her ‘happy pills’ because they’re meant to keep her happy, but she doesn’t always take them. Shirley’s seen several doctors over the years. Some of them told her she was ill while others insisted there was nothing wrong with her. When I’m older I want to be a doctor as I enjoy helping people. Hopefully I’ll be a very good doctor so I can give the right advice to my patients.

What you usually write about and who do you write for?
I write for children aged 9-12. My stories deal with the many difficult and emotional issues that some children may encounter within their families and school environment.

Why do you write?ruth_g
I just love writing! From the age of eight I wanted to become an author and would write lots of short stories. I write from a child’s perspective and my aim is to show how they make sense of the often bizarre and complex world around them. Also, I like to think of myself as being an observational writer – I like writing about the small details of everyday life that we may not always notice straight away.

Where and when do you write?
I write at home in my spare time. I’ll write in the evenings sometimes into the early hours of the morning. When I was writing The Ever-changing Mum, there were times when I didn’t get to sleep until 4am.

What inspired you to enter the Diverse Voices Award?
To give a voice to those who are underrepresented in mainstream literature. There are very few central characters that are from minority ethnic backgrounds in children’s books today. Evie, the young girl in The Ever-changing Mum, is British born with a Jamaican heritage like my own.

What was your favourite book as a child?
Fantastic Mr Fox by Roald Dahl, I adored that book.

Who is your favourite children’s author either writing today or from the past?
Roald Dahl without a doubt. I read most of his books when I was little.

What does the future hold for you and your writing?
Well I would certainly like to get The Ever-changing Mum published. I’m also writing my second novel for children which I hope to finish by November this year.

Thanks to Ruth and the Seven Stories Children’s Book centre for permission to post this interview., and watch out for great things from Ruth and the other writers unearthed by the Diverse Voices award.

If you’re interested in entering the 2010 Diverse Voices award you can get more information from diversevoices@sevenstories.org.uk

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